Project Space presents site-specific exhibitions that are guided by information and experiences gathered while work is in progress at Headlands. Home to select Artists in Residence each season, as well as occasional group exhibitions by visiting artists and curators, Project Space is a place of exchange among working artists and visitors—a place where ideas are germinated, conversations are shared, and new work is made.
Now in Project Space
Kelly Akashi (California) | Anna Fitch & Banker White (California)
September 17–November 14, Sunday–Thursday, 12–5PM
From self-consuming flames of dripping wax candles to the ephemeral light filtering through blown glass objects, Kelly Akashi’s sculptures often exist in a perpetual state of metamorphosis. Even hands cast in bronze seem poised to caress or to beckon if only given a moment. During her residency at Headlands, Akashi will continue exploring notions of transformation through observation of the Headlands landscape and its geological and biological changes. The resulting research will inform new photographs and sculptures that will be shared through Project Space.
Anna Fitch & Banker White
For Anna Fitch & Banker White, filmmaking is a social act. The duo regard the subjects of their documentaries as collaborators—a unique relationship that ultimately pushes both parties beyond their comfort zones and creates something wholly different than what would have been possible individually. During their residency, Fitch & White will be working on their multiplatform documentary Heaven Through the Backdoor. Told through the stories of Yolanda Shae, a close friend of the filmmakers’, the film blends intimate documentary footage with cinematic interpretations to explore the emotional complexities surrounding the death of those closest to you, and of facing one’s own mortality.
Next in Project Space
Details coming soon!
Previously in Project Space
Rodney Ewing (California) | Kori Newkirk (California)
June 16–August 15, Sunday–Thursday, 12–5PM
San Francisco-based artist Rodney Ewing delves into a host of references to explore the topic of race in his new body of work, The Devil Finds Work. Illuminating personal stories and memories, he draws on the Green-Book, the story of H. Box Brown (a slave who shipped himself to freedom), and recent accounts of state-supported violence against African Americans. Ewing’s installations and works on paper chronicle how the Black Body has had to evolve to move through physical, social, and psychological spaces in the United States, and the continued resilience and defiance required to survive.
For Kori Newkirk, “the idea dictates the material.” Pony beads, hair pomade, bicycle tires, tin cans, his own sweat and saliva—the artist has used them all. Whimsical yet thought-provoking, his sculptures and two-dimensional visual works transform everyday materials to elucidate the human condition, delving especially into ideas of racialized identity and their connection to place. During his residency, he will investigate the environment in and around Headlands, incorporating locally found objects to create a new work.