ohio | interdisciplinary
Artist in Residence Program 2019
My practice spans sculpture and installation to explore prosaic objects laden with personal histories. Common objects are taken as points of departure, such as book cover designs, wallpaper and furniture from my childhood and youth in Ireland, the punk music I encountered in art school, and other, often mundane yet enigmatic items. In some ways my work can be understood as oblique portraits of my family and surroundings, returning to the everyday objects and design magazines found in my father’s small advertising agency in Dublin, or the objects precious to my mother who moved to Ireland from Sri Lanka as a teenager, or my current preoccupation with a rural Ohio location where my teenage son died some years ago. I approach these objects and cultural memories abstractly. I strive to make work that is not dependent on a viewer recognizing my sometimes obscure sources. Ultimately, the viewer’s emotional, psychological and aesthetic experience of these sculptures, as objects, is what interests me.
While at Headlands
While at Headlands, I plan to focus on drawing in an exploratory way. Drawing has been a neglected aspect of my practice for several years as I have focused on sculptural activities. Over the past decade, I have developed a measured studio routine where I am surrounded by materials and equipment that enable my particular labor-intensive approach to object making. Frequently, a long time is required to complete work because of a priori decisions to employ techniques such as metal casting, CNC machinery, outside specialty shops, and a high paint finish. While I’ve been generally happy with the results, I’ve never been entirely satisfied with these often repetitive labor processes as they can lead me to feel disconnected from my work and ideas. I sense an extended period of time drawing at Headlands will help me upend these habits, allowing for more spontaneity in my approach.